I have always been partial to Poe's Annabel Lee, but here is one fitting for the upcoming Halloween season.
Four Preludes On Playthings Of The Wind
'The past is a bucket of ashes.'
1
THE WOMAN named To-morrow
sits with a hairpin in her teeth
and takes her time
and does her hair the way she wants it
and fastens at last the last braid and coil
and puts the hairpin where it belongs
and turns and drawls: Well, what of it?
My grandmother, Yesterday, is gone.
What of it? Let the dead be dead.
2
The doors were cedar
and the panels strips of gold
and the girls were golden girls
and the panels read and the girls chanted:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The doors are twisted on broken hinges.
Sheets of rain swish through on the wind
where the golden girls ran and the panels read:
We are the greatest city,
the greatest nation,
nothing like us ever was.
3
It has happened before.
Strong men put up a city and got
a nation together,
And paid singers to sing and women
to warble: We are the greatest city,
the greatest nation,
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nothing like us ever was.
And while the singers sang
and the strong men listened
and paid the singers well
and felt good about it all,
there were rats and lizards who listened
... and the only listeners left now
... are... the rats... and the lizards.
And there are black crows
crying, 'Caw, caw,'
bringing mud and sticks
building a nest
over the words carved
on the doors where the panels were cedar
and the strips on the panels were gold
and the golden girls came singing:
We are the greatest city,
the greatest nation:
nothing like us ever was.
The only singers now are crows crying, 'Caw, caw,'
And the sheets of rain whine in the wind and doorways.
And the only listeners now are... the rats... and the lizards.
4
The feet of the rats
scribble on the door sills;
the hieroglyphs of the rat footprints
chatter the pedigrees of the rats
and babble of the blood
and gabble of the breed
of the grandfathers and the great-grandfathers
of the rats.
And the wind shifts
and the dust on a door sill shifts
and even the writing of the rat footprints
tells us nothing, nothing at all
about the greatest city, the greatest nation
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where the strong men listened
and the women warbled: Nothing like us ever was.
Carl Sandburg
My favorite line is "The past is a bucket of ashes."; I like it so much, I printed it up and framed it.
Here's another favorite:
Cold Dark Corner
Blake Duffy© Blake Duffy
Published: March 2009
There's a cold dark corner
in the back of my room,
it speaks to me
and says I'm coming for you.
As I lie on my bed
in the fetal position,
my eyes are closed
hoping and wishing.
Maybe that one day
my dreams will come true,
that I don't have to be here
so down and blue.
The corner keeps talking
about how I'm going to die,
all I can do
is lie there and cry.
As the corner gets closer
and takes me in,
my soul starts to burn
as so does my skin.
My bones shall lie there
turning to dust,
my bed surrounding
nothing but rust.
Dark but beautiful; thanks for starting this discussion!
I knew you'd like this one.
It's that day again. Dark Poetry Day to commemorate Edgar Allen Poe. Delve onto something new and morbid and have a sleepless night.
PABLO NERUDA, “NOTHING BUT DEATH”
There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.
The Infinite Abyss by Peter Payack
Once mom died
I felt the weight and immensity
of never and forever.
~~from Asimov’s Science Fiction Magazine, Jan./Feb. 2017 issue
Excerpt from “SUICIDE IN THE TRENCHES”
by English poet Siegfried Sassoon
You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you’ll never know
The hell where youth and laughter go.
The Hollow Men
T. S. Eliot
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men.
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